Warning: personal. To skip directly to art content, scroll down to Paragraph Two.
I am in sadness today. We've had a tragedy in the family. Not my immediate family, but Matt's. I made some phone calls and a casserole. I haven't been able to work in the studio but I haven't been able to concentrate on much anything else either. Everyone else's life is going on, the wheels of commerce are still being greased and yet for some reason making art seems like a choice today. I don't want to make a black painting. I don't want to make a painting about death or the details surrounding it. Stepping in the studio to continue yesterday's trajectory using yesterday's palette doesn't feel right, but there's not much else I can do now either. I dropped some hints earlier, but Matt and I are splitting up, so it's a particularly difficult time even without the added weight. The bright side, if I can say that without sounding vapid or glib, is that death brings out what's important and removes the petty shit. I've been able to drop my stuff and place someone else's feelings ahead of mine for the day. Tonight may be a good night to catch up on reading and writing. I'll probably be flying across the country again this weekend.
Welcome to Paragraph Two:
I mailed my 2 little watercolors back to the Santa Monica Museum of Art for the Incognito show (May). The most creative thing I did today other than make a mac & cheese casserole from scratch was to title the watercolors. Titling is a serious endeavor for me. I don't like slapping a title (no matter how good) on a painting unless it fits the painting. So, sometimes, a month or more can go by and I'll notice that the painting has the wrong title if I cannot recall it immediately. When this happens I have no issues with changing the title if the painting is still in the studio. And needless to say, I don't like paintings to go out with the wrong title. I don't think they ever have because usually there's a lag time between the making and the showing or selling. Maybe I make too much of a big deal out of titles. At one point in my work, I had an elaborate alpha-numeric system and believe it not, knew more or less what each piece was. But then the whole thing got out of control, not to mention, it was rather robotic.
The titles I came up with today were,
"Portmanteau" and "The Girls Can Flirt And Other Queer Things Can Do." Of course, I know which is which. So obvious, right? I posted these about a month ago, but at the time they were untitled, so here we go again-
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It's over.
Nov 7, 2020. Tears of joy and relief. It's been unreal and I'm ready to get back to a sense of normalcy. The desert has been tough.
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1 comment:
I wish you the best, it sounds like a sudden tragedy. I'm in the death fog this week. I euthanized Posie(cat)on Monday. It was expected and even a relief, really, but still, the aching fog rolls in.
That said, those are kick-ass paintings.
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