Spring semester grades in √
Summer syllabus completed, almost √
New paintings, signed and titled, almost √
Divorce paperwork completed, almost √
Another painter came over for a studio visit today. Next week I shall go visit her studio. It's definitely good, nay necessary, for me to get out and meet up with other artists right now. I'm been a hermit lately, even more so than usual. Bobbie makes the 4th person I've shown the new work to. So far, 4 out of 4 people are digging them. I should let my guests speak more, but I get so excited about the new works that I have to tell the backstory about how I arrived at them and then tell another backstory for why etc. For the time being, it's been good practice to talk about the work. The BIG studio visit is a week from Saturday. I'll be entertaining 25 collectors for approximately 30 minutes. My major concern is that my front lawn is dead and the back yard is barely holding on. The place needs some landscape love. I'll grab some cheap plants at Home Depot to brighten up the place. I'm self-conscious about these things. I should also finish titling the pieces and nail my spiel. Possibly a tad more important, yes?
But back to today's studio visit. I came away feeling hopeful and optimistic. In addition to talking specifically about the work, we also chatted about the business side of things and the day job side of things. If you recall, I've been laid off after the summer. I said I was brainstorming and basically cobbling an income together and instead of receiving the awkward stare of pity I usually get when I say that, I got a positive reaction and an excellent idea for proposing some workshops I could teach. I'm so on it. I also got some other business advice regarding the paintings, and I made a pledge to myself and to my visitor that I will take that advice as well. I've had some really sorry-ass advice thrown my way over the years, so sometimes I'm skeptical, but not anymore. Majority rues.
I'm also going to experiment with having an Open Studio on Saturdays this summer. My community coffee break never really took off, so we'll try this. I don't advertise and my marketing strategies are zilch. That might be one of my problems. The other might be the self-effacing humor I tend to use.
I'm one block away from a small business district on the west side Culver City, as opposed to the east side which is where all the galleries are, and have decided to take advantage of people who park on my block while shopping at Allied Train Store and Samy's camera. But, the real motivation for opening the studio one day a week was that when we bought the house several years ago, I found a blank, homemade and weathered wooden sign cast aside in the garage. Seriously, I'm like that; a sign needs a purpose. I almost used it as it, but since I'm not selling jam, potholders or rabbits, just yet, I gessoed it and will be painting a more appropriate signage denoting an open studio. The open studio will be a mix of things- mainly an opportunity to sell some older work and drawings, but possibly a chance to work on the craft side of things and see what happens there. I got into wood burning aka pyrography back in the early 90's and a few years ago I picked up leather tooling. When I said "open," I mean open. I'm still in the brainstorming phase, but am hoping to stage the first one this Saturday. Another potential cog in my cobbled empire.
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2 comments:
This is exciting. I've always loved the simple "make something to sell in a booth", and it does open up so many possibilities...for exploration as much as commerce. I think there's a subversive urge involved, a determined and optimistic belief that one can win-win on all fronts.
Well-put Carla. It's all about the bigger picture. Aiming for a way to support the creation of new works in the studio while living a simple but intentional life.
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