Art Art Art Art Art Art Art Art

I met up with a friend at Bergamot Station today. One- kudos to the cappuccino maker at the cafe, it was fabulous. Two- saw some really good shows. I'm listening to the interview as I write this, so I haven't heard the whole show, but here's the Ed Moses interview. That's what prompted my friend to want to see his current show at Greenfield Sacks Gallery and Frank Lloyd Gallery. Lucky us, he was there. It's always cool to see him in the flesh and the paintings are S A T U R A T E D. Oh my gosh, the interview is starting off fabulous. Check it out.

Paintings by Philip Argent and totally glommed together cast junk by Christian Cummings at Shoshana Wayne. $500 for the tiny glommed together fucked up sculptures by Christian Cummings. I wanted one. I still want one. I like the eraser with tin foil, for some odd reason.

The Ed Moses interview is going great.

Saw the group show at Richard Heller. My faves were Mars Mario Martinez, Oliver Vernon and Britton Tolliver. I was also intrigued by G Bradley Rhodes' Darger-esque works.

Barkley L. Hendricks, Birth of Cool rocks, as does Jeni Spoto, Don't Tread on Me, at Santa Monica Museum of Art.

I smiled a lot today.

Still listening to the Ed Moses interview, so I'm going to sign off now.

I will renew my membership to MOCA

I am not much of an activist, though on two occasions I protested the war by demonstrating all by my lonesome on the corner of Sepulveda and Culver. I'm not agoraphobic, enochlophobia, demophobia or ochlophobia. I just get flustered around semi-organized groups of people. So instead of showing physical support today at the Geffen, I will renew my MOCA membership. A couple of weeks ago, we politely informed the membership telemarketer that we were going to have to bypass the membership renewal this year. Like lots of artists and arts professionals, I have alternated which museum to support from year to year. This year, I was going to let them all lapse. Not honorable, but true.

The fact that I'm going to shell out a membership fee might seem financially insignificant, but it's not. I've been acting all hopeful about the economy, like it was maybe some kind of group consciousness that would self-correct in a few months.

I was on a roll in the studio and was beginning to think that being partially self-employed was a small coup during these times. I had already been offered a class for spring AND the summer intensive, plus I got wind that they changed the rules so that adjuncts could teach more than one class per semester and was told my name was brought up as a possibility to teach one of the additional classes. I was on the verge of actually being comfortable, optimistic and bullet-proof. I thought about the phrase, "Everyone's got to eat" and figured that without art, life would indeed be very bleak, so I was thinking to myself, "Everyone's got to have art."

Then for some reason, seeing the 'Mandatory Budget Cuts' sign posted in the fine arts dept. mail room on Saturday, along with not hearing back from a couple of people who had recently inquired about my work, and a couple of other things, triggered a dive into the abyss. Ironically, logging onto Fidelity and seeing I still had a few token dollars in what is the last vestige of my retirement account a.k.a the reminder of my 4-year-participation-in-the-civilian-world-back-in-the-90's-and-why-that-didn't-take, was actually a surprise. Not pleasant, just a surprise.

So, um yeah. The MOCA renewal is a big deal and this is a post encouraging others to join in support. Please read the Christopher Knight letter linked below.

And while I'm laying stuff on the table, I'm also looking for additional teaching job(s). Preferably painting or watercolor, but drawing's cool too. And commissions, I'm still good for these too. And if all else fails, I suppose I will paint fruit, because I'm pretty sure everyone likes fruit, although I was hoping to wait until my 70's or 80's before I trotted out the fruit still lifes. I'm only half-kidding about the fruit. The one above was done while demonstrating gouache techniques.


Open letter to MOCA trustees from Christopher Knight

MOCA Mobilization group on facebook

Today is a two-post day. Post #2

Oranges and Sardines, Conversations on Abstract Painting.

I'm pretty much a sucker for any painting show, but especially ones that take a critical look at abstract painting. Since my blog makes no pretense at striving to be a source of cutting edge reviews, I'll just gush over a few paintings and artists in list form. Dry, but to the point.

Francis Bacon, Figure with Two Owls, Study for Velazquez.
Those 2 owls have always looked liked pointy-toed boots to me in reproductions and I always laugh at myself for forgetting they're owls and thinking they're boots. Then again it's not like the piece is titled Figure with Two Pointy-Toed Boots, Study for Velazquez.

David Hockney, Little Splash.
Amy Sillman.
Howard Hodgkin, After Matisse.
Paul Thek, God is.
Albert Oehlen
Chris Wool (According to his list, we're art very art compatible.)
Dieter Roth
Charline Von Heyl
Guston
At this point I'm realizing I'm naming half the show.